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home·artworks·Lisbon - S. Cristovão
Lisbon - S. Cristovão by Carlos Botelho

plate no. 2947

Lisbon - S. Cristovão

Carlos Botelho, 1937

oilExpressionismcityscapecityscapebuildingsrooftopsskywaterarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice layering brushstrokes to build texture and form. It also provides an opportunity to understand aerial perspective and simplifying complex architectural details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings and landscape.

  2. step 02

    Block in the sky and water with thin washes of color.

  3. step 03

    Establish the main color blocks for each building, focusing on the overall tone.

  4. step 04

    Begin layering brushstrokes to define the forms and create texture, working from dark to light.

  5. step 05

    Mix and apply subtle color variations within each building to create depth and interest.

  6. step 06

    Add details such as windows, rooftops, and architectural features, simplifying where necessary.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensional effect.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive look.

color palette

primary · yellow ochre · raw umber · titanium white · cadmium red

secondary · cerulean blue · viridian green · burnt sienna

Achieve the muted tones by mixing complementary colors and adding white or raw umber to dull the intensity. Use yellow ochre and cadmium red for the warm hues of the buildings, and cerulean blue and viridian green for the sky and water.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Not simplifying the architectural details enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·raw umber
  • ·titanium white
  • ·cadmium red
  • ·cerulean blue
  • ·round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstroke texture. Acrylics are a good option for beginners due to their fast drying time.

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oil painting for beginners →how to learn by studying the masters →
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