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home·artworks·Lisbon Bouquet
Lisbon Bouquet by Carlos Botelho

plate no. 2540

Lisbon Bouquet

Carlos Botelho, 1935

oilExpressionismcityscapecityscapebuildingsseaskyhousesboats
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve a variety of hues and values, as well as understanding perspective and composition to create depth in a complex scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line, focusing on the overall composition.

  2. step 02

    Block in the main color areas for the sky, sea, and large building masses using thin washes.

  3. step 03

    Begin layering colors on the buildings, working from dark to light to establish form and shadow.

  4. step 04

    Add details to the buildings, such as windows, roofs, and architectural features, using smaller brushes.

  5. step 05

    Mix and apply the colors for the rooftops, paying attention to the subtle variations in hue and value.

  6. step 06

    Refine the details in the foreground buildings, adding texture and highlights to create depth.

  7. step 07

    Paint the distant mountains and boats, keeping the colors muted and the details minimal.

  8. step 08

    Add final touches and highlights to the entire painting, adjusting colors and values as needed to create a cohesive and balanced composition.

color palette

primary · red · yellow · blue · white

secondary · brown · green · pink

Achieve the various building colors by mixing reds, yellows, and browns with white. Use blue and white with a touch of green for the sky and sea. Mix browns with blues and yellows for the rooftops.

techniques

  • ·color mixing
  • ·layering
  • ·broken color
  • ·scumbling
  • ·perspective

common pitfalls

  • →overworking details
  • →muddying colors
  • →inconsistent perspective
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·reference photo print

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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