apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lisa
Lisa by Francis Bacon

plate no. 5032

Lisa

Francis Bacon, 1955

oilExpressionismportraitportraitfigurefacedark backgroundvertical lines
experienced study

Recreating this painting will develop skills in expressive brushwork and capturing a likeness through fragmented forms. It also encourages exploration of limited color palettes and dramatic lighting.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic head shape and position on the canvas with light charcoal or diluted paint.

  2. step 02

    Establish the background by painting vertical lines with varying thickness and darkness.

  3. step 03

    Block in the main areas of the face with a dark underpainting, focusing on shadows and proportions.

  4. step 04

    Apply lighter tones to the face, using loose, expressive brushstrokes to suggest form and texture.

  5. step 05

    Add small touches of color, such as pinks and reds, to the lips, cheeks, and eyes.

  6. step 06

    Refine the details of the face, paying attention to the overall structure and expression.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a more dramatic effect.

color palette

primary · ivory black · titanium white · raw umber

secondary · cadmium red light · ultramarine blue

Achieve the skin tones by mixing white with small amounts of raw umber and red. Use black and umber for shadows, and add a touch of blue to cool down the tones.

techniques

  • ·expressive brushwork
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness of the subject.
  • →Not establishing a strong value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·charcoal

Use high-quality oil paints for best results. Consider using a slightly textured canvas to enhance the brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor