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home·artworks·Lipari, Portinenti with Windmill Tower
Lipari, Portinenti with Windmill Tower by Max Gubler

plate no. 9845

Lipari, Portinenti with Windmill Tower

Max Gubler, 1925

oilExpressionismcityscapebuildingswaterskycoastalrockswindmill
some experience helpful

This painting offers a good opportunity to practice simplifying complex scenes into basic shapes and using a limited palette to create a cohesive atmosphere. Students can develop skills in color mixing and layering to achieve subtle variations in tone and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings, windmill, and coastline.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and water.

  3. step 03

    Add the darker values to define the shadows and create depth in the rocks and buildings.

  4. step 04

    Begin layering colors to build up the forms and add subtle variations in tone.

  5. step 05

    Refine the details of the buildings and windmill, paying attention to the light and shadow.

  6. step 06

    Add highlights to the water and rocks to create a sense of luminosity.

  7. step 07

    Adjust the overall color balance and contrast to achieve a harmonious effect.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium red light · viridian

Mix white with yellow ochre and a touch of burnt sienna to create the warm tones of the buildings and windmill. Use ultramarine blue and white for the sky and water, adding small amounts of yellow ochre or viridian for variations.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Not simplifying the shapes and forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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