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Lilian by David Bomberg

plate no. 3370

Lilian

David Bomberg, 1932

oil, canvasExpressionismnude painting (nu)figureportraitnudewomantorsoshadows
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing form through value and color temperature changes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure using a thin wash of burnt umber.

  2. step 02

    Establish the darkest areas of the background and shadows with a mix of burnt umber and black.

  3. step 03

    Block in the main areas of light on the figure with a mix of white, yellow ochre, and a touch of burnt sienna.

  4. step 04

    Gradually build up the form by layering different values and color temperatures, paying attention to the direction of the brushstrokes.

  5. step 05

    Use thicker paint and more visible brushstrokes in the areas of strongest light and detail.

  6. step 06

    Soften edges and blend areas where necessary to create a sense of form and depth.

  7. step 07

    Add subtle highlights and details to the face and torso to capture the likeness of the subject.

  8. step 08

    Refine the overall composition and adjust values as needed to create a cohesive and expressive painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · black · burnt sienna · cadmium red

Mix white with yellow ochre and a touch of burnt sienna for the skin tones. Use burnt umber and black for the dark background and shadows. Add small amounts of cadmium red for warmth in the skin.

techniques

  • ·expressive brushwork
  • ·value painting
  • ·color temperature variation
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the direction of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for expressive brushwork. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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