
plate no. 4619
Shitao, 1669
Recreating this painting will help students develop skills in creating atmospheric perspective and using varied brushstrokes to suggest texture and form.
technical profile
approach — 8 steps
Prepare the paper with a light wash of diluted brown ink to mimic the aged paper.
Lightly sketch the basic shapes of the mountains and trees, paying attention to their relative sizes and positions.
Begin with the distant mountains, using very diluted ink and soft brushstrokes to create a hazy effect.
Gradually build up the values in the foreground mountains, using darker ink and more defined brushstrokes.
Add details to the trees and monastery, using a fine brush and concentrated ink.
Create the fog effect by carefully blending the edges of the mountains and trees with diluted ink.
Add final details and textures with dry brush techniques.
Allow to dry completely.
color palette
primary · black ink · sepia
secondary · burnt umber
Use varying dilutions of black ink to achieve different values. Mix sepia or burnt umber with black for warmer tones.
techniques
common pitfalls
surface · rice paper
required
optional
Practice brushstrokes on scrap paper before applying to the final piece. Use a soft brush for washes and a stiffer brush for dry brush effects.
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