apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Liebespaar auf der Hohen Promenade
Liebespaar auf der Hohen Promenade by Varlin

plate no. 5344

Liebespaar auf der Hohen Promenade

Varlin, 1937

oilExpressionismcityscapecityscapearchitecturetreesfiguresparkpromenade
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing atmospheric perspective with a limited color palette. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the architecture, trees, and figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the trees and shadows.

  3. step 03

    Gradually build up the lighter values, using thicker paint and visible brushstrokes.

  4. step 04

    Mix subtle variations of gray and green to create depth and atmosphere in the background.

  5. step 05

    Add details to the architecture, such as the columns and dome, using a smaller brush.

  6. step 06

    Define the figures with simple, gestural strokes.

  7. step 07

    Refine the highlights and shadows to create a sense of form and volume.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · ivory black · titanium white · viridian green

secondary · raw umber · cadmium red light

Use white to create various shades of gray and green. Mix small amounts of red and umber to create earth tones for the architecture and figures.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too saturated and losing the muted, atmospheric effect.
  • →Focusing too much on detail and neglecting the overall composition.
  • →Not establishing a clear value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor