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home·artworks·Leaves (Study for Portrait of Barbara)
Leaves (Study for Portrait of Barbara) by Prudence Heward

plate no. 7622

Leaves (Study for Portrait of Barbara)

Prudence Heward, 1933

oilExpressionismsketch and studyleavesfoliageplantsgreenstudy
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, and in using visible brushstrokes to add texture and energy to their work. It's a good exercise in observing subtle variations in green tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the leaves, focusing on the overall composition.

  2. step 02

    Establish the darkest background areas with a mix of dark green and brown.

  3. step 03

    Begin layering in the mid-tone greens on the leaves, paying attention to the direction of light.

  4. step 04

    Add highlights to the leaves using lighter shades of green mixed with yellow and white.

  5. step 05

    Define the veins and edges of the leaves with darker greens and browns.

  6. step 06

    Refine the shapes and values of the leaves, blending and layering as needed.

  7. step 07

    Add final details, such as small highlights and shadows, to create depth and realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · sap green · yellow ochre · titanium white

secondary · burnt umber · ivory black · cadmium yellow light

Achieve the various green tones by mixing sap green with yellow ochre and titanium white. Use burnt umber and ivory black to darken the greens for shadows and background areas. Add small amounts of cadmium yellow light for brighter highlights.

techniques

  • ·layering
  • ·blending
  • ·broken color
  • ·scumbling
  • ·impasto

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Using too much white, which can make the colors appear chalky.
  • →Ignoring the subtle variations in green tones.
  • →Neglecting the importance of the dark background in creating contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (sap green, yellow ochre, titanium white, burnt umber, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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