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home·artworks·Leading Cows to the Stall
Leading Cows to the Stall by Gustave de Smet

plate no. 1152

Leading Cows to the Stall

Gustave de Smet, 1933

oilExpressionismanimal paintingcowsbuildingstreesfigurerural scene
some experience helpful

Recreating this painting will help students understand simplified forms and color blocking, as well as how to create a sense of depth using color temperature and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cows, buildings, and trees, focusing on their relative positions and sizes.

  2. step 02

    Block in the large areas of color for the background, using a limited palette of browns, reds, and oranges.

  3. step 03

    Add the base colors for the cows, using lighter shades of brown and cream.

  4. step 04

    Define the shapes of the buildings with white and red, simplifying the details.

  5. step 05

    Add darker values to create shadows and define the forms of the cows and buildings.

  6. step 06

    Introduce the figure, paying attention to its placement and scale relative to the other elements.

  7. step 07

    Refine the details of the cows, such as the spots and udders.

  8. step 08

    Add final touches and highlights to create a sense of depth and dimension.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Mix browns by combining burnt umber with red and yellow ochre. Use white to create lighter shades of brown and cream for the cows. Add a touch of blue to darken the browns for shadows.

techniques

  • ·color blocking
  • ·simplified forms
  • ·limited palette
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overcomplicating the details of the cows and buildings.
  • →Using too many colors, which can make the painting look muddy.
  • →Not paying attention to the relative sizes and positions of the elements.
  • →Creating too much contrast, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·burnt umber
  • ·titanium white
  • ·cadmium red
  • ·yellow ochre
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Acrylic paints will dry faster, while oil paints will allow for more blending time.

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