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home·artworks·Le voile Persan
Le voile Persan by John Duncan Fergusson

plate no. 7006

Le voile Persan

John Duncan Fergusson, 1909

oilFauvismportraitportraitwomanhatflowersclothingface
some experience helpful

Recreating this painting will help students develop skills in color mixing, expressive brushwork, and simplifying complex forms into basic shapes. It's a good exercise in capturing a likeness with bold, non-realistic colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the woman's head, hat, and shoulders.

  2. step 02

    Block in the large areas of color for the background flowers, using simplified shapes.

  3. step 03

    Establish the skin tones, paying attention to the subtle variations in color and value.

  4. step 04

    Define the features of the face, using bold brushstrokes and distinct color choices.

  5. step 05

    Paint the hat, capturing its shape and the red accents.

  6. step 06

    Add details to the clothing, focusing on the interplay of light and shadow.

  7. step 07

    Refine the background, adding more detail and texture to the flowers.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive composition.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · viridian green · alizarin crimson · raw umber

Mix skin tones by combining white, red, yellow ochre, and a touch of blue. Achieve the blues by mixing ultramarine with white or a touch of red. Create the greens by mixing blue and yellow.

techniques

  • ·broken color
  • ·alla prima
  • ·expressive brushwork
  • ·color temperature
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details before establishing the overall composition.
  • →Using colors straight from the tube without mixing them.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ultramarine blue, cadmium red, yellow ochre, viridian green, alizarin crimson, raw umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use good quality oil paints for best results. Pre-toned canvas can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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