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Le Tourette by Alexandre Jacovleff

plate no. 8289

Le Tourette

Alexandre Jacovleff, 1927

oilExpressionismlandscapevillagelandscapebuildingshillsskyfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural forms with simplified shapes and values. It also provides practice in creating a sense of depth and distance through color and detail variation.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the village, hills, and figure.

  2. step 02

    Establish the horizon line and the main shapes of the landscape.

  3. step 03

    Block in the sky with a thin wash of blue, fading towards the horizon.

  4. step 04

    Apply a base layer of warm, earthy tones to the village and hills, differentiating between light and shadow.

  5. step 05

    Add details to the buildings, using darker tones to define windows and rooftops.

  6. step 06

    Paint the figure and donkey in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the details of the landscape, adding trees, bushes, and other vegetation.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · sap green

Mix various shades of brown and beige by combining raw umber, burnt sienna, and white. Use cerulean blue and white for the sky, and add a touch of yellow ochre for a warmer tone. Mix greens with sap green and yellow ochre.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details in the village, losing the overall sense of form.
  • →Failing to create a sense of depth through color and value changes.
  • →Making the colors too saturated, resulting in an unrealistic appearance.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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