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home·artworks·Le petit déjeuner
Le petit déjeuner by Emilio Grau Sala

plate no. 2549

Le petit déjeuner

Emilio Grau Sala, 1957

oilFauvismgenre paintingfigurechildinteriorstill lifemotherfood
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing light and shadow with visible brushstrokes. It also provides practice in depicting figures and still life elements in a stylized manner.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major objects.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin layering colors, adding depth and dimension to the figures and objects.

  4. step 04

    Use visible brushstrokes to create texture and movement, following the direction of the forms.

  5. step 05

    Mix colors on the palette and directly on the canvas to achieve the desired effects.

  6. step 06

    Pay attention to the light and shadow, using darker values to create contrast and form.

  7. step 07

    Add details and highlights to the figures and objects, refining the overall composition.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the colors, values, and composition.

color palette

primary · red · yellow · blue · white

secondary · green · purple · brown

Mix greens by combining blues and yellows, purples by combining reds and blues. Use white to lighten colors and create highlights. Browns can be achieved by mixing all three primary colors.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Losing the freshness and spontaneity of the brushstrokes.
  • →Neglecting the overall composition and focusing too much on individual details.
  • →Failing to capture the light and shadow, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, yellow, blue, white, green, purple, brown)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retarder
  • ·Varnish
  • ·Easel

Use artist-grade oil paints for best results. A medium-tooth canvas will provide a good surface for the brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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