
plate no. 2217
Auguste Herbin, 1923
Recreating this painting will help students develop skills in layering washes and creating depth through color and value variations. It also provides practice in simplifying complex landscapes into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: mountains, fields, and clusters of trees and houses.
Apply a light wash of diluted yellow ochre or raw sienna across the entire paper as a base tone.
Paint the sky with a very diluted blue wash, allowing it to blend with the base tone.
Begin layering washes for the mountains, using diluted burnt sienna and raw umber, building up darker values in the shadows.
Paint the fields with varying shades of green and yellow, using a dry brush technique to create texture.
Add the trees and houses, using darker greens, browns, and oranges. Use small, broken brushstrokes to create foliage.
Define the river with blues and greens, adding darker accents to suggest depth.
Add final details and adjust values as needed to create a sense of depth and atmosphere.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue · sap green
secondary · raw umber · cadmium orange · titanium white
Mix greens by combining yellow ochre and ultramarine blue. Create muted browns by mixing burnt sienna and ultramarine blue. Use white sparingly to lighten colors.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying textures.
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