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home·artworks·Le Due Madri
Le Due Madri by Giovanni Segantini

plate no. 0771

Le Due Madri

Giovanni Segantini

oilSymbolismgenre paintingmountainsfiguresheeplandscapepathrocks
some experience helpful

Recreating this painting will help students develop skills in layering colors to create texture and using directional brushstrokes to define form. It also provides practice in depicting atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, figure, sheep, and path.

  2. step 02

    Establish the overall color scheme with thin washes of color.

  3. step 03

    Begin layering colors on the mountains, using short, directional strokes to create texture and form.

  4. step 04

    Add details to the figure and sheep, paying attention to the light and shadow.

  5. step 05

    Develop the foreground, using a variety of colors and textures to create a sense of depth.

  6. step 06

    Refine the details and adjust the values to create a cohesive and harmonious painting.

  7. step 07

    Add final highlights and shadows to enhance the sense of realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · viridian · cadmium red light · raw umber

Mix burnt sienna and ultramarine blue for the darker earth tones. Use white to lighten colors and create highlights. Mix viridian and yellow ochre for the greens.

techniques

  • ·pointillism
  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·directional strokes

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too much detail in the background, which can flatten the composition.
  • →Not paying attention to the light and shadow, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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