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home·artworks·Le cardinal Charles Lavigerie
Le cardinal Charles Lavigerie by Leon Bonnat

plate no. 7868

Le cardinal Charles Lavigerie

Leon Bonnat, 1888

oil, canvasAcademicismportraitportraitfigurecardinalrobebooksinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding how to render fabric and textures with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through careful layering and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the robe and other clothing, using layering and blending to create a sense of depth.

  5. step 05

    Add details to the background, including the books, desk, and wall, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the edges and details throughout the painting, ensuring that the overall composition is balanced and harmonious.

  7. step 07

    Add final highlights and shadows to enhance the sense of realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ivory black · cadmium red · burnt umber

secondary · yellow ochre · raw sienna

Mix blacks with burnt umber to create depth. Use cadmium red mixed with white to create the various shades of red in the robe. Yellow ochre and raw sienna are used to create the background and skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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