apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lazing in the Sand Dunes
Lazing in the Sand Dunes by Stanley Pinker

plate no. 9189

Lazing in the Sand Dunes

Stanley Pinker

oilExpressionismlandscapebeachsand dunesskyfigureslandscapesea
some experience helpful

Recreating this painting will help students practice simplified shapes and color blocking to represent a landscape. It also encourages experimentation with expressive brushstrokes and a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the large shapes of the sand dunes.

  2. step 02

    Block in the sky with broad strokes of blue, creating subtle variations in tone.

  3. step 03

    Apply a base layer of white to the sand dunes, leaving some areas slightly off-white to create depth.

  4. step 04

    Add the colored shapes to the dunes using bold, flat strokes. Don't over-blend.

  5. step 05

    Paint the figures with simplified shapes, using black or dark brown.

  6. step 06

    Add the vertical lines representing dune grasses with quick, expressive strokes.

  7. step 07

    Refine the details, such as the horizon line and the subtle variations in the sand.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · orange · purple · red

Mix the sky colors by blending ultramarine blue with varying amounts of white. Create the purple by mixing red and blue. Achieve the sand color by mixing white with a touch of yellow ochre and burnt umber.

techniques

  • ·color blocking
  • ·expressive brushstrokes
  • ·simplified shapes
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Over-blending the colors, losing the expressive brushstrokes.
  • →Making the composition too detailed, losing the simplified aesthetic.
  • →Using too many colors, creating a muddy effect.
  • →Not varying the tones of the white in the sand dunes, resulting in a flat appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·orange oil paint
  • ·purple oil paint
  • ·red oil paint
  • ·#8 flat brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for better texture. Oil paints are recommended for their blending capabilities, but acrylics can be used as well.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor