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home·artworks·Lava at Bessastadir
Lava at Bessastadir by Johannes Sveinsson Kjarval

plate no. 5516

Lava at Bessastadir

Johannes Sveinsson Kjarval, 1954

oilExpressionismlandscapelandscaperocksmountainsskyvegetationstone wall
experienced study

Recreating this painting will help students develop skills in layering colors to create texture and using broken color techniques to represent complex surfaces. It also encourages careful observation of subtle color variations in natural forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the rocks and the horizon line.

  2. step 02

    Establish the darkest and lightest values with thin washes of color.

  3. step 03

    Begin layering colors within each rock formation, using small, broken brushstrokes.

  4. step 04

    Focus on capturing the local color of each area, then add variations for light and shadow.

  5. step 05

    Build up texture by layering different colors and values, allowing some areas to remain more transparent.

  6. step 06

    Add details such as moss and lichen with small, precise brushstrokes.

  7. step 07

    Refine the overall composition and adjust values as needed.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the rocks.

color palette

primary · gray · brown · green

secondary · ochre · blue · white

Mix various shades of gray by combining black, white, and small amounts of brown or blue. Achieve earthy greens by mixing yellow and blue with a touch of brown. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle value changes within the rocks.
  • →Applying paint too thickly, obscuring the texture.
  • →Neglecting the overall composition and focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grit canvas to enhance the texture. Acrylics will dry faster, allowing for quicker layering, while oils will provide more blending time.

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