
plate no. 0989
Giovanni da Milano, 1360
Recreating this painting will help students develop skills in figure drawing, rendering drapery, and using a limited palette to create harmonious color relationships. It also provides an opportunity to study the use of gold leaf or metallic paint to simulate a gilded effect.
technical profile
approach — 8 steps
Prepare the surface with a gesso layer and let it dry completely.
Lightly sketch the main figures and the wheel, paying attention to proportions.
Apply a base layer of gold or metallic paint to the background and halos.
Begin painting the figures with thin layers of color, starting with the darkest tones.
Gradually build up the mid-tones and highlights, blending carefully to create smooth transitions.
Add details to the clothing and facial features, using fine brushes.
Paint the wheel, focusing on creating a sense of depth and dimension.
Add final details and adjust colors as needed to achieve the desired effect.
color palette
primary · gold · burnt umber · red ochre
secondary · ivory black · raw sienna
Mix burnt umber and ivory black for the dark clothing. Use red ochre mixed with white for the lighter robes. Achieve the gold effect with metallic paint or gold leaf.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use high-quality paints for best results. If using gold leaf, research the proper application techniques.
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