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home·artworks·Las Bañistas
Las Bañistas by Carlos Quizpez Asín

plate no. 1870

Las Bañistas

Carlos Quizpez Asín, 1943

oilExpressionismnude painting (nu)figureswaterfallrockslandscapenudesfoliage
some experience helpful

This painting is a good exercise in rendering the human form in a stylized manner and understanding how to use a limited color palette to create depth and form. Students will also learn about creating a sense of space and atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the waterfall.

  2. step 02

    Establish the background by blocking in the sky, rocks, and foliage with broad strokes.

  3. step 03

    Mix the skin tones using a limited palette of earth tones and white, and apply a base layer to the figures.

  4. step 04

    Begin to refine the forms of the figures, paying attention to the light and shadow.

  5. step 05

    Add details to the waterfall and rocks, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the foliage and add any final details to the background.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and add depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · ultramarine blue · yellow ochre

Mix skin tones by blending burnt sienna, raw umber, and white. Use ultramarine blue and white for the water. Yellow ochre can be used to warm up the rocks and foliage.

techniques

  • ·blocking in
  • ·blending
  • ·glazing
  • ·scumbling
  • ·modeling

common pitfalls

  • →Overworking the skin tones and losing the simplicity of the original.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting bogged down in details and losing the overall composition.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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