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home·artworks·Large Landscape with a Tree
Large Landscape with a Tree by Balthus

plate no. 7286

Large Landscape with a Tree

Balthus, 1957

oil, canvasExpressionismlandscapelandscapevillagebuildingstreesfigurehills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes. It also provides practice in rendering linear perspective and creating a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, hills, and the tree.

  2. step 02

    Block in the large shapes of the hills and buildings with thin washes of color.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the buildings and ground.

  4. step 04

    Layer in more details on the buildings, such as windows and roof lines.

  5. step 05

    Paint the tree branches, paying attention to their varying thicknesses and directions.

  6. step 06

    Add the figure in the foreground, keeping it simple and understated.

  7. step 07

    Refine the colors and values throughout the painting, adjusting as needed.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix raw umber and white for the buildings and ground. Use burnt sienna and yellow ochre for the roofs and highlights. Add a touch of ultramarine blue to darken shadows.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·linear perspective

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a clear light source.
  • →Overworking the colors and losing the freshness of the painting.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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