
plate no. 5209
Marsden Hartley, 1932
This painting helps students practice layering colors to create depth and form, and simplifying complex landscapes into basic shapes. Students will also learn about creating a sense of space through atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes of the hills, sky, and water, focusing on the overall composition.
Block in the sky with a light purple-blue, allowing for variations in tone.
Apply a base coat of ochre or raw sienna to the hills and foreground.
Add shadows to the hills using burnt umber and a touch of blue, defining their forms.
Paint the clouds with white and a hint of pink or purple, softening the edges.
Create the water with dark blues and blacks, adding subtle reflections.
Add details to the foreground with darker browns and greens to suggest vegetation.
Refine the edges and details, adjusting values as needed to create depth.
color palette
primary · raw sienna · ultramarine blue · titanium white
secondary · burnt umber · cadmium yellow · alizarin crimson
Mix the sky color by combining ultramarine blue and white with a touch of crimson. Create the hill shadows by mixing burnt umber with ultramarine blue. Use yellow and white to highlight the hills.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.
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