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home·artworks·Landscape with Oxen
Landscape with Oxen by Balthus

plate no. 0499

Landscape with Oxen

Balthus, 1942

oil, canvasExpressionismlandscapelandscapeoxenmountainsvillagetreesfigure
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It also offers practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the mountains, village, and oxen.

  2. step 02

    Establish the sky and distant mountains with thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the dark masses of the hills and trees, gradually adding lighter values to suggest form and depth.

  4. step 04

    Paint the field with broad, visible brushstrokes, varying the color slightly to create texture and interest.

  5. step 05

    Add the details of the village, simplifying the forms and focusing on the overall impression.

  6. step 06

    Paint the oxen and figure, paying attention to their proportions and placement within the scene.

  7. step 07

    Add the bare tree and log in the foreground, using dark colors and bold brushstrokes to create contrast.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · burnt umber · Prussian blue

secondary · raw sienna · titanium white · ivory black

Mix muted greens by combining yellow ochre, Prussian blue, and burnt umber. Achieve lighter values by adding titanium white. Use ivory black sparingly to darken colors.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·blocking in
  • ·scumbling
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating too much contrast and flattening the image.
  • →Ignoring atmospheric perspective and making the distant elements too sharp.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·assorted brushes (flat and round)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A slightly textured canvas will enhance the effect of the visible brushstrokes. Use a limited palette to create a harmonious and unified painting.

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oil painting for beginners →how to learn by studying the masters →
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