apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Goose
Landscape with Goose by Fred Williams

plate no. 7326

Landscape with Goose

Fred Williams, 1974

oilExpressionismlandscapelandscaperivertreesvegetationskygoose
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and layering colors to create texture and depth. It also encourages simplification of forms and capturing the essence of a landscape rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the river, landmasses, and horizon line.

  2. step 02

    Apply a thin wash of diluted yellow ochre or a similar earth tone to the entire canvas as an underpainting.

  3. step 03

    Block in the large areas of color: the river with varying shades of yellow and orange, the sky with light gray, and the landmasses with greens, browns, and reds.

  4. step 04

    Use short, broken brushstrokes to build up texture and suggest foliage on the trees and vegetation.

  5. step 05

    Introduce highlights and shadows to create depth and dimension, paying attention to the direction of light.

  6. step 06

    Add details such as the goose using quick, gestural strokes.

  7. step 07

    Refine the edges and blend colors where necessary to achieve a harmonious effect.

  8. step 08

    Add final touches and adjust values as needed to complete the painting.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · sap green · cadmium red · ultramarine blue

Mix various shades of green by combining yellow ochre, sap green, and a touch of ultramarine blue. Create earthy browns by mixing burnt sienna, ultramarine blue, and a touch of yellow ochre. Lighten colors with titanium white and darken with burnt sienna or ultramarine blue.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Ignoring the underlying structure and composition.
  • →Focusing too much on detail and not enough on the overall impression.
  • →Not varying the brushstrokes enough to create visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil or acrylic medium
  • ·palette knife

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits

Use a variety of brush sizes to create different textures and effects. Consider using a palette knife for applying thick layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor