apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape study
Landscape study by Richard Gerstl

plate no. 1568

Landscape study

Richard Gerstl, 1907

oilExpressionismsketch and studylandscapetreesskyfieldvegetationstudy
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a sense of depth and atmosphere. It also encourages simplification of forms and capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the horizon line and the placement of the trees.

  2. step 02

    Block in the sky with broad strokes of light blue and white, capturing the movement of the clouds.

  3. step 03

    Establish the main areas of the landscape with large, directional brushstrokes of green, yellow, and brown.

  4. step 04

    Add darker greens and browns to create depth and shadow in the trees and foliage.

  5. step 05

    Introduce highlights with lighter yellows and greens, using short, broken strokes to suggest texture.

  6. step 06

    Refine the shapes of the trees and branches, using a smaller brush to add details.

  7. step 07

    Add small touches of orange and other accent colors to create visual interest.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · yellow ochre · sap green · titanium white

secondary · ultramarine blue · burnt umber · cadmium orange

Mix greens by combining yellow ochre and ultramarine blue. Achieve variations in value by adding white or burnt umber to the base colors.

techniques

  • ·impasto
  • ·broken color
  • ·directional brushstrokes
  • ·wet-on-wet blending
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating mud by overmixing colors on the canvas.
  • →Ignoring the directional brushstrokes and creating a flat, lifeless surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor