
plate no. 6601
Chaim Soutine, 1918
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a sense of atmosphere and movement. Students will also learn to simplify complex scenes into basic shapes and forms.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings, trees, and horizon line using a thin brush or charcoal.
Block in the main color areas with thin washes of color, focusing on the overall color harmony.
Start building up layers of paint, using thicker brushstrokes to define the forms and add texture.
Mix colors directly on the canvas to create a more vibrant and spontaneous effect.
Pay attention to the direction of the brushstrokes to create a sense of movement and energy.
Add details such as windows, branches, and foliage using smaller brushes.
Refine the colors and values, adjusting the contrast to create depth and dimension.
Add final touches and highlights to bring the painting to life.
color palette
primary · yellow ochre · sap green · burnt umber · titanium white
secondary · cadmium red · ultramarine blue
Mix greens by combining yellow ochre and ultramarine blue. Create earth tones by mixing burnt umber with yellow ochre and a touch of red. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor