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home·artworks·Landscape, Mountain Ymmitos
Landscape, Mountain Ymmitos by Nikolaos Lytras

plate no. 7715

Landscape, Mountain Ymmitos

Nikolaos Lytras

oilExpressionismlandscapelandscapehillsskymountainstreesclouds
some experience helpful

This painting provides an opportunity to practice layering colors and creating depth using atmospheric perspective. Students can learn to simplify forms and capture the essence of a landscape with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the hills and mountains.

  2. step 02

    Block in the sky with a thin wash of light blue, blending towards the horizon.

  3. step 03

    Apply a base layer of yellow ochre to the hills, varying the tone slightly.

  4. step 04

    Add darker values to the shadows and crevices of the hills using burnt umber and a touch of blue.

  5. step 05

    Paint the distant mountains with a lighter, cooler blue to create atmospheric perspective.

  6. step 06

    Add small, dark green shapes to represent trees and bushes, varying their size and placement.

  7. step 07

    Use short, broken brushstrokes to create texture in the foreground.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · cadmium yellow

Mix yellow ochre with small amounts of burnt umber and blue to create the various shades of the hills. Use white to lighten the sky and distant mountains. Mix blue and white for the sky and distant mountains.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much contrast and flattening the image.
  • →Ignoring the atmospheric perspective and making the distant mountains too dark.
  • →Making the colors too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a more unified color harmony.

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oil painting for beginners →how to learn by studying the masters →
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