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Landscape by Vera Nedkova

plate no. 3832

Landscape

Vera Nedkova

oilExpressionismcityscapebuildingtreesarchitecturecityscapechurchsky
some experience helpful

Recreating this painting will help students develop skills in impasto application and creating depth through layering and color variation. It also provides practice in depicting architectural forms with simplified shapes and expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and trees, focusing on composition.

  2. step 02

    Apply a thin wash of burnt umber as an underpainting for the entire canvas.

  3. step 03

    Block in the main colors of the buildings (white, ochre, brown) and trees (red) using thick paint.

  4. step 04

    Build up texture on the buildings and trees with visible brushstrokes, varying the direction and pressure.

  5. step 05

    Add details like windows, the cross, and branches, using smaller brushes.

  6. step 06

    Introduce highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges of the shapes and blend colors where necessary.

  8. step 08

    Add final touches and adjust values to achieve the desired effect.

color palette

primary · titanium white · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · black

Mix white with small amounts of yellow ochre and burnt umber to create the off-white color of the buildings. Use burnt umber and ultramarine blue to create dark shadows. Mix cadmium red with a touch of burnt umber for the tree color.

techniques

  • ·impasto
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Not varying the brushstrokes enough, leading to a flat texture.
  • →Ignoring the importance of value contrast, making the painting appear dull.
  • →Getting lost in details too early, before establishing the overall composition and color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for impasto application.

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oil painting for beginners →how to learn by studying the masters →
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