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Landscape by Luis Dourdil

plate no. 8871

Landscape

Luis Dourdil

oilExpressionismcityscapebuildingslandscapetreesvillagehills
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create a harmonious composition. It also provides practice in applying visible brushstrokes to build texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and trees, focusing on their relative sizes and positions.

  2. step 02

    Establish a basic value structure by blocking in the main areas of light and shadow with thinned paint.

  3. step 03

    Mix the primary colors for the roofs, adjusting with white or brown to achieve the desired tones.

  4. step 04

    Apply the roof colors, using short, directional brushstrokes to suggest texture.

  5. step 05

    Mix greens and browns for the trees and hills, varying the hues slightly to create depth.

  6. step 06

    Add details to the buildings, such as windows and doors, using a smaller brush.

  7. step 07

    Refine the shapes and values of the trees and hills, adding highlights and shadows to create form.

  8. step 08

    Add final touches, such as subtle color variations and textural details.

color palette

primary · burnt sienna · raw umber · sap green · titanium white

secondary · yellow ochre · ultramarine blue

Mix burnt sienna and raw umber for the roof colors, adding white to lighten and blue to darken. Use sap green as a base for the foliage, mixing with yellow ochre for highlights and raw umber for shadows.

techniques

  • ·blocking in
  • ·broken color
  • ·dry brushing
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the details, losing the simplicity of the original.
  • →Using colors straight from the tube without mixing, resulting in a flat, uninteresting palette.
  • →Failing to establish a clear value structure, leading to a muddy or confusing composition.
  • →Making the brushstrokes too uniform, resulting in a lack of texture and visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·easel
  • ·medium gloss
  • ·painting rags

Use a limited palette of colors to encourage mixing and create a harmonious composition. Consider using a medium to thin the paint and create smoother brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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