
plate no. 8109
Lan Ying, 1653
Recreating this painting will help students develop skills in layering washes to create depth and atmosphere, as well as practicing delicate brushstrokes for rendering details like trees and rocks. It also provides practice in creating a sense of perspective through tonal variation.
technical profile
approach — 8 steps
Lightly sketch the basic composition, focusing on the placement of the mountains, trees, and buildings.
Apply a thin wash of diluted burnt umber or yellow ochre to the entire canvas to create a warm underpainting.
Begin layering washes of darker browns and blacks to define the shapes of the mountains and rocks, building up depth gradually.
Use a fine brush to add details to the trees, such as branches and leaves, using short, controlled strokes.
Paint the architecture with careful attention to perspective and detail.
Add the waterfall using light, flowing strokes of white or light gray.
Define the figure with simple shapes and a touch of color.
Add final details and highlights to enhance the overall composition.
color palette
primary · burnt umber · yellow ochre · ivory black
secondary · titanium white · raw sienna
Achieve the various shades of brown by mixing burnt umber with yellow ochre and ivory black. Use white to lighten the tones and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Dilute the paints with linseed oil to create thin washes.
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