apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape
Landscape by Andre Derain

plate no. 4645

Landscape

Andre Derain, 1930

oil, canvasNeoclassicismlandscapelandscapebuildingsskytreeshillstown
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes with color and understanding atmospheric perspective. It also provides practice in simplifying complex scenes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements.

  2. step 02

    Block in the sky with light blue, gradually adding hints of yellow and white near the horizon.

  3. step 03

    Establish the large shapes of the fields and hills with broad strokes of yellow, green, and orange.

  4. step 04

    Define the buildings with simplified rectangular forms, using warm yellows and oranges.

  5. step 05

    Add darker greens and blues to represent the trees, focusing on their overall shape.

  6. step 06

    Paint the stone wall in the foreground, using a mix of warm and cool grays and browns.

  7. step 07

    Refine the details of the buildings and trees, adding subtle variations in color and value.

  8. step 08

    Add final touches to the sky and foreground to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · sap green

secondary · titanium white · raw umber · cadmium orange

Mix greens by combining yellow ochre and ultramarine blue. Achieve the warm tones of the buildings and fields by blending burnt sienna with yellow ochre and a touch of cadmium orange. Use titanium white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms
  • ·broken color

common pitfalls

  • →Overworking details
  • →Using too many colors
  • →Ignoring the overall composition
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Landscape near Martigues

Landscape near Martigues

Andre Derain

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton