
plate no. 8955
Chaim Soutine, 1923
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a sense of movement and emotion. It also encourages exploration of non-traditional color palettes in landscape painting.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings, hill, and trees, focusing on the overall composition.
Establish the dark areas with a mix of dark blues and browns, defining the shadows and background.
Apply the dominant yellow tones to the buildings and landscape, varying the shades slightly.
Introduce secondary colors like greens, oranges, and reds to add depth and interest.
Use bold, visible brushstrokes to create texture and movement.
Refine the details of the buildings and trees, paying attention to the direction of the brushstrokes.
Add highlights to the buildings and landscape to create a sense of light.
Review the painting and make any necessary adjustments to the colors and composition.
color palette
primary · yellow ochre · ultramarine blue · burnt umber
secondary · cadmium red · sap green · raw sienna
Achieve the various yellow tones by mixing yellow ochre with white, raw sienna, and small amounts of red or green. Darken colors with burnt umber and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for richer colors and better blending. A medium-sized canvas (16x20 or 18x24) is recommended.
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