
plate no. 3043
Matthew Smith, 1916
Recreating this painting will help students practice simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture and form. It's also a good exercise in color mixing and creating a sense of depth through color temperature.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the landscape: horizon line, hills, trees, and foreground.
Block in the sky with a thin wash of light blue/gray.
Apply a base layer of orange/red to the foreground, varying the tone slightly.
Paint the background fields with yellow and ochre, adding hints of green.
Add the trees using dark green, brown, and touches of red, using visible brushstrokes to create texture.
Define the shapes of the hills in the background with muted blues and purples.
Refine the details of the trees and foreground, adding highlights and shadows.
Add final touches and adjust colors as needed to match the original painting.
color palette
primary · burnt sienna · yellow ochre · viridian green · titanium white
secondary · ultramarine blue · cadmium yellow light · alizarin crimson
Mix greens by combining yellow and blue, and create muted tones by adding small amounts of complementary colors. The foreground red is achieved by mixing burnt sienna with a touch of alizarin crimson.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Oil paints are recommended for their blendability and rich colors, but acrylics can be used as well.
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