
plate no. 6286
Maggie Laubser, 1920
Recreating this painting will help students understand color mixing for landscapes and how to create depth using atmospheric perspective. It also provides practice in depicting tree forms with simplified shapes and visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes of the trees, mountains, and lake, paying attention to their relative sizes and positions.
Block in the sky with a light blue, varying the tone slightly to create depth.
Paint the distant mountains with a muted blue-purple, using lighter tones for the higher peaks.
Add the water using a darker, more saturated blue, blending it slightly where it meets the shoreline.
Block in the main tree trunks and branches with brown, varying the tone to suggest form.
Paint the foliage of the trees with different shades of green, using short, choppy brushstrokes to create texture.
Add the foreground with a mix of browns, greens, and yellows, using thicker paint and more visible brushstrokes.
Add details like the boat and highlights on the water and foliage.
color palette
primary · cerulean blue · viridian green · burnt umber · yellow ochre
secondary · titanium white · ultramarine blue · cadmium yellow
Mix greens by combining blue and yellow, and create muted tones by adding a touch of complementary color (e.g., orange to blue). Use white to lighten colors and create atmospheric perspective.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a toned canvas to create a more unified base.
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