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home·artworks·Lake Scene with Trees and Mountains
Lake Scene with Trees and Mountains by Maggie Laubser

plate no. 6286

Lake Scene with Trees and Mountains

Maggie Laubser, 1920

oilExpressionismlandscapetreesmountainslakeskylandscapeboat
some experience helpful

Recreating this painting will help students understand color mixing for landscapes and how to create depth using atmospheric perspective. It also provides practice in depicting tree forms with simplified shapes and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees, mountains, and lake, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue, varying the tone slightly to create depth.

  3. step 03

    Paint the distant mountains with a muted blue-purple, using lighter tones for the higher peaks.

  4. step 04

    Add the water using a darker, more saturated blue, blending it slightly where it meets the shoreline.

  5. step 05

    Block in the main tree trunks and branches with brown, varying the tone to suggest form.

  6. step 06

    Paint the foliage of the trees with different shades of green, using short, choppy brushstrokes to create texture.

  7. step 07

    Add the foreground with a mix of browns, greens, and yellows, using thicker paint and more visible brushstrokes.

  8. step 08

    Add details like the boat and highlights on the water and foliage.

color palette

primary · cerulean blue · viridian green · burnt umber · yellow ochre

secondary · titanium white · ultramarine blue · cadmium yellow

Mix greens by combining blue and yellow, and create muted tones by adding a touch of complementary color (e.g., orange to blue). Use white to lighten colors and create atmospheric perspective.

techniques

  • ·blocking in
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too saturated and not achieving a sense of depth.
  • →Not varying the tones enough and creating a flat, lifeless image.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a toned canvas to create a more unified base.

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oil painting for beginners →how to learn by studying the masters →
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