
plate no. 8915
John Frederick Kensett, 1869
From the record
from the sources
The painting is oil on canvas and shows Lake George in upstate New York. en.wikipedia.org
“Done in oil on canvas, the painting depicts Lake George in upstate New York.”
The painting is held in the collection of the Metropolitan Museum of Art. en.wikipedia.org
“The painting is in the collection of the Metropolitan Museum of Art.”
Among Kensett's many studies of the Lake George area, this painting is his largest and most accomplished treatment of the subject. en.wikipedia.org
“Kensett frequently visited Lake George in the Adirondacks and painted many studies of the area, but Lake George is his largest and most accomplished treatment of the subject.”
The painter's viewpoint was probably Crown Island, off Bolton Landing, looking northeast across the lake toward the Narrows. en.wikipedia.org
“His viewpoint was probably from Crown Island, off Bolton Landing on the west shore, looking across the lake northeast toward the Narrows.”
Kensett altered the landscape by compressing distances, omitting some islands, and merging others into the mainland. en.wikipedia.org
“However, as noted by the Metropolitan Museum of Art, Kensett took some artistic liberties; distances have been substantially foreshortened, some of the islands have been omitted, and others merged into the mainland.”
The painting is displayed in Gallery 761 at the Metropolitan Museum. en.wikipedia.org
“The painting is on view at the Metropolitan Museum's Gallery 761.”
approach — 8 steps
Begin with a light sketch outlining the major shapes: mountains, lake, shoreline, and the large tree.
Establish the sky with a thin wash of light blue and white, blending smoothly.
Block in the distant mountains with muted blues, purples, and grays, paying attention to atmospheric perspective.
Paint the lake with horizontal strokes, reflecting the colors of the sky and mountains.
Add the shoreline and the large tree, using a mix of browns, greens, and yellows for the foliage.
Develop the details of the foliage, using smaller brushstrokes and varying the colors to create texture.
Add reflections in the water, mirroring the colors and shapes of the shoreline and trees.
Finish with small details like birds and ripples in the water.
color palette
primary · titanium white · ultramarine blue · burnt umber · yellow ochre
secondary · cadmium yellow · alizarin crimson · sap green
Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant objects.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a pre-toned canvas with a warm underpainting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Sunset with Cows
John Frederick Kensett

Hudson River
John Frederick Kensett

Jersey Marshes
Martin Johnson Heade

Mount Lafayette, New Hampshire
David Johnson

Placid Lake, Adirondacks
David Johnson

The Morteratsch Glacier, Upper Engadine Valley, Pontresina
Albert Bierstadt

Western Kansas
Albert Bierstadt

Sunrise in Nicaragua
Martin Johnson Heade