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home·artworks·Lake George
Lake George by John Frederick Kensett

plate no. 8915

Lake George

John Frederick Kensett, 1869

oilLuminismlandscapelaketreesmountainsskywaterfoliage

From the record

Dimensions
112 cm high × 168 cm wide
Institution
Metropolitan Museum of Art
Location
Metropolitan Museum of Art
Inception
1869
Materials
oil paint, canvas
Movement
luminism, Hudson River school
  • sky
  • cloud
  • tree
  • Lake George
  • mountain
  • Adirondack Mountains
  • Bolton Landing
  • Crown Island

Wikipedia article · Wikidata item Q19924308

from the sources

  • The painting is oil on canvas and shows Lake George in upstate New York. en.wikipedia.org

    “Done in oil on canvas, the painting depicts Lake George in upstate New York.”

  • The painting is held in the collection of the Metropolitan Museum of Art. en.wikipedia.org

    “The painting is in the collection of the Metropolitan Museum of Art.”

  • Among Kensett's many studies of the Lake George area, this painting is his largest and most accomplished treatment of the subject. en.wikipedia.org

    “Kensett frequently visited Lake George in the Adirondacks and painted many studies of the area, but Lake George is his largest and most accomplished treatment of the subject.”

  • The painter's viewpoint was probably Crown Island, off Bolton Landing, looking northeast across the lake toward the Narrows. en.wikipedia.org

    “His viewpoint was probably from Crown Island, off Bolton Landing on the west shore, looking across the lake northeast toward the Narrows.”

  • Kensett altered the landscape by compressing distances, omitting some islands, and merging others into the mainland. en.wikipedia.org

    “However, as noted by the Metropolitan Museum of Art, Kensett took some artistic liberties; distances have been substantially foreshortened, some of the islands have been omitted, and others merged into the mainland.”

  • The painting is displayed in Gallery 761 at the Metropolitan Museum. en.wikipedia.org

    “The painting is on view at the Metropolitan Museum's Gallery 761.”

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: mountains, lake, shoreline, and the large tree.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending smoothly.

  3. step 03

    Block in the distant mountains with muted blues, purples, and grays, paying attention to atmospheric perspective.

  4. step 04

    Paint the lake with horizontal strokes, reflecting the colors of the sky and mountains.

  5. step 05

    Add the shoreline and the large tree, using a mix of browns, greens, and yellows for the foliage.

  6. step 06

    Develop the details of the foliage, using smaller brushstrokes and varying the colors to create texture.

  7. step 07

    Add reflections in the water, mirroring the colors and shapes of the shoreline and trees.

  8. step 08

    Finish with small details like birds and ripples in the water.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant objects.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains, losing the sense of depth.
  • →Making the reflections too sharp and defined, instead of soft and blurred.
  • →Using colors that are too bright and saturated, disrupting the overall harmony.
  • →Neglecting the subtle value changes in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a pre-toned canvas with a warm underpainting.

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oil painting for beginners →how to learn by studying the masters →
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