
plate no. 1824
Koloman Moser, 1912
This painting is a good exercise in capturing the texture of a mountain using broken color and learning to mix subtle variations of blues and greens for the water. It also provides practice in creating a sense of depth through atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountain range and the horizon line.
Block in the sky with a light blue-gray wash.
Establish the base color of the water with a mid-tone blue-gray.
Begin layering in the mountain colors, starting with the darker areas and working towards the lighter highlights.
Use broken color and short brushstrokes to create the texture of the rocks and vegetation.
Add highlights to the water to suggest reflections and movement.
Refine the details of the mountain range, paying attention to the shapes and shadows.
Add final touches and adjust colors as needed.
color palette
primary · ultramarine blue · raw umber · titanium white · yellow ochre
secondary · viridian green · cadmium yellow light · alizarin crimson
Mix various shades of blue-gray for the water by combining ultramarine blue, raw umber, and titanium white. Achieve mountain colors by mixing raw umber, yellow ochre, viridian green, and small amounts of alizarin crimson.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.
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