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home·artworks·La temperanza, Woman Holding a Knife
La temperanza, Woman Holding a Knife by Konstantinos Parthenis

plate no. 8576

La temperanza, Woman Holding a Knife

Konstantinos Parthenis, 1938

oil, canvasExpressionismportraitfigureportraitknifecolumnsdraperybackground
some experience helpful

Recreating this painting will help students develop skills in layering colors to create subtle tonal variations and understanding how to suggest form with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall tonal range with a thin wash of a neutral color like raw umber.

  3. step 03

    Begin layering in the darker values in the background and around the figure to create depth.

  4. step 04

    Introduce the primary colors, focusing on building up subtle variations in tone and temperature.

  5. step 05

    Define the features of the face and hands with careful attention to light and shadow.

  6. step 06

    Add details to the knife and drapery, using dry brush techniques to create texture.

  7. step 07

    Refine the edges and transitions between colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of form and depth.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · payne's gray · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of Payne's gray. Use yellow ochre to warm up certain areas and create subtle highlights.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·tonal underpainting
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using too much color and losing the muted tonal range.
  • →Ignoring the importance of the underpainting in establishing the overall tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Titanium white oil paint
  • ·Payne's gray oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use a canvas with a medium texture to enhance the dry brush effect. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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