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home·artworks·L'église De Locmaria [à Quimper
L'église De Locmaria [à Quimper by Max Jacob

plate no. 4947

L'église De Locmaria [à Quimper

Max Jacob, 1927

gouache, paperExpressionismcityscapecityscapebuildingswatertreesboatssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, water, and trees, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and white, allowing for some variation in tone.

  3. step 03

    Establish the base colors of the buildings using a mix of ochre, white, and a touch of gray.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the buildings and sky.

  5. step 05

    Add the trees and foliage using broken brushstrokes and varying shades of green and brown.

  6. step 06

    Refine the details of the buildings, including windows, roofs, and architectural features.

  7. step 07

    Add the boats and figures to the scene, paying attention to their scale and placement.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · sap green · payne's gray

Mix ochre and white for the buildings, adding small amounts of umber or gray to create variations in tone. Use ultramarine and white for the sky, and mix greens from blue, yellow, and umber.

techniques

  • ·atmospheric perspective
  • ·wet-on-dry blending
  • ·broken color
  • ·simplified forms
  • ·reflection techniques

common pitfalls

  • →overworking details
  • →incorrect perspective
  • →muddy colors
  • →ignoring value relationships

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·paper towels

optional

  • ·easel
  • ·viewfinder
  • ·ruler

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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