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home·artworks·L.E.S.
L.E.S. by Carlos Alonso

plate no. 1639

L.E.S.

Carlos Alonso, 1967

oilExpressionismportraitfigureportraitchairfabricseatedbeard
experienced study

Recreating this painting will help students develop skills in expressive brushwork, capturing a likeness with minimal detail, and creating dynamic compositions with limited color palettes. Students will also learn how to suggest form and texture through loose, gestural marks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and placement of the figure, chair, and background elements.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Start building up layers of paint, using expressive brushstrokes to define the form and create texture.

  4. step 04

    Pay attention to the negative space around the figure to enhance the composition.

  5. step 05

    Introduce darker values to create depth and contrast, especially in the shadows.

  6. step 06

    Add highlights to the figure and chair to create a sense of light and form.

  7. step 07

    Refine the details of the face and hands, using small, precise brushstrokes.

  8. step 08

    Add final touches and adjust the overall balance of the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · raw sienna

Mix various shades of skin tones by combining white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue to cool down the skin tones and create shadows. Mix the yellow for the chair with white to create lighter tones.

techniques

  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·expressive brushstrokes
  • ·color layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the negative space and creating a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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