
plate no. 9294
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing a likeness with simplified shapes and visible brushstrokes. Students will also learn to create depth and form using subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.
Block in the background with a mid-tone gray-green, defining the window shape.
Establish the main skin tone with a mix of white, yellow ochre, and a touch of red.
Add shadows to the face using a mix of burnt umber and the skin tone.
Paint the red hat, varying the color slightly to create form.
Define the features of the face, such as the eyes, nose, and mouth, with subtle details.
Add the clothing, using a similar color palette to the skin tones.
Refine the details and adjust values as needed, paying attention to the overall harmony of the painting.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · viridian green · payne's gray
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber to the skin tone mix. The red hat is a mix of cadmium red and a touch of burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve flow.
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