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home·artworks·Kopf Mit Roter Mütze
Kopf Mit Roter Mütze by Georg Tappert

plate no. 9294

Kopf Mit Roter Mütze

Georg Tappert

oilExpressionismportraitportraitfigurehatwindowclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing a likeness with simplified shapes and visible brushstrokes. Students will also learn to create depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a mid-tone gray-green, defining the window shape.

  3. step 03

    Establish the main skin tone with a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Add shadows to the face using a mix of burnt umber and the skin tone.

  5. step 05

    Paint the red hat, varying the color slightly to create form.

  6. step 06

    Define the features of the face, such as the eyes, nose, and mouth, with subtle details.

  7. step 07

    Add the clothing, using a similar color palette to the skin tones.

  8. step 08

    Refine the details and adjust values as needed, paying attention to the overall harmony of the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · viridian green · payne's gray

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber to the skin tone mix. The red hat is a mix of cadmium red and a touch of burnt umber.

techniques

  • ·blocking in
  • ·dry brush blending
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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