apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kond Street
Kond Street by Petros Malayan

plate no. 5120

Kond Street

Petros Malayan, 1986

oilExpressionismcityscapebuildingsstreetcityscapearchitecturesky
some experience helpful

Recreating this painting will help students develop skills in watercolor washes, layering, and creating depth through tonal variations. It also encourages simplification of complex forms and capturing the essence of a scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective of the buildings and street.

  2. step 02

    Apply a light wash of diluted blue for the sky, leaving some areas unpainted for clouds.

  3. step 03

    Mix a light gray-brown wash and apply it to the buildings, indicating the general light and shadow.

  4. step 04

    Layer darker washes of brown, gray, and blue to define the shadows and architectural details.

  5. step 05

    Add details to the windows with yellow and darker tones to create depth.

  6. step 06

    Paint the street with a mix of greens, browns, and grays, suggesting the texture of the stones.

  7. step 07

    Use dry brush techniques to add texture to the walls and roofs.

  8. step 08

    Add final details and adjust values to create a sense of depth and atmosphere.

color palette

primary · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · payne's gray

Mix raw umber and ultramarine blue for various grays and browns. Use yellow ochre to warm up the browns and create highlights. Dilute colors significantly for washes.

techniques

  • ·watercolor washes
  • ·layering
  • ·dry brush
  • ·wet-on-dry
  • ·glazing

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor.
  • →Making the shadows too dark and losing the sense of light.
  • →Not diluting the colors enough, resulting in a muddy appearance.
  • →Ignoring the importance of negative space in defining the forms.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round watercolor brushes (various sizes)
  • ·flat watercolor brush
  • ·water container
  • ·palette
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor