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home·artworks·Kitchen Still Life
Kitchen Still Life by William Scott

plate no. 4433

Kitchen Still Life

William Scott, 1948

oilExpressionismstill lifestill lifekitchenwaretablefruitbottleeggs
some experience helpful

Recreating this painting will help students understand how to simplify forms and use color to create depth and volume. It also provides practice in capturing the essence of objects rather than focusing on realistic detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and the table.

  3. step 03

    Add the main colors of the objects, using simplified shapes and flat tones.

  4. step 04

    Introduce subtle variations in color and value to create depth and form.

  5. step 05

    Define the edges of the objects with darker or lighter tones to create contrast.

  6. step 06

    Add details such as the highlights on the eggs and the reflections in the bottle.

  7. step 07

    Refine the brushwork to match the visible strokes of the original painting.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious balance.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow light · alizarin crimson · ivory black

Mix various shades of gray and blue by combining ultramarine blue, burnt umber, and white. Achieve the orange background by mixing yellow ochre with a touch of alizarin crimson. Use white to lighten the colors and create highlights.

techniques

  • ·blocking in
  • ·color mixing
  • ·simplified forms
  • ·visible brushstrokes
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Using too many colors and creating a muddy palette.
  • →Failing to capture the correct proportions of the objects.
  • →Not paying attention to the subtle variations in color and value.
  • →Making the brushstrokes too uniform and losing the expressive quality.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·palette
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a limited palette to simplify the color mixing process. Experiment with different brushstrokes to achieve the desired texture.

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oil painting for beginners →how to learn by studying the masters →
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