apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kitchen II
Kitchen II by John Bratby

plate no. 3922

Kitchen II

John Bratby, 1966

oilExpressionisminteriorinteriorkitchendoorwindowstovetiles
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing complex spatial relationships within an interior scene. It also encourages experimentation with color mixing to achieve specific tones and textures.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the perspective of the room.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Start building up layers of paint, using thicker brushstrokes to define forms and textures.

  4. step 04

    Focus on capturing the light and shadow patterns, adding highlights and dark accents.

  5. step 05

    Pay attention to the details, such as the tiles, window panes, and objects on the shelves.

  6. step 06

    Use a variety of brushstrokes to create visual interest and texture.

  7. step 07

    Continuously step back and assess the painting, making adjustments as needed.

  8. step 08

    Add final details and refine the composition to achieve a cohesive and expressive result.

color palette

primary · emerald green · titanium white · burnt umber

secondary · cadmium red · yellow ochre · cerulean blue

Mix greens by combining blues and yellows, and use white to lighten colors and create highlights. Browns can be achieved by mixing red, yellow, and blue.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the perspective and spatial relationships.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor