
plate no. 6651
George Bouzianis, 1921
Recreating this painting will help students develop skills in loose watercolor washes and capturing a likeness with minimal detail. It also encourages observation of subtle color variations in skin tones and shadows.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and objects.
Apply a thin wash of diluted yellow ochre and raw sienna for the skin and background.
Add darker washes of burnt umber and black for the hair, clothing, and shadows.
Introduce hints of red and purple to the skin tones for depth.
Define the features of the face with small, controlled brushstrokes.
Add details to the food and objects on the table.
Soften edges and blend colors with a clean, damp brush.
Add final highlights with white or a very light yellow.
color palette
primary · yellow ochre · raw sienna · burnt umber · black
secondary · cadmium red · ultramarine blue · white
Mix burnt umber and ultramarine blue for dark shadows. Use yellow ochre and cadmium red for skin tones. Dilute colors with water to achieve transparent washes.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor