apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kerkyra, The Old Fortress
Kerkyra, The Old Fortress by Konstantinos Parthenis

plate no. 1173

Kerkyra, The Old Fortress

Konstantinos Parthenis, 1930

oil, canvas, panelExpressionismlandscapefortresswaterskybuildingstreesreflection
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and using color temperature to create depth. It also provides practice in capturing reflections in water using broken color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the fortress, land, and water.

  2. step 02

    Block in the sky with light blue and white, using horizontal brushstrokes.

  3. step 03

    Establish the main color masses of the fortress and land, focusing on warm and cool tones.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections with slightly darker and desaturated versions of the colors above.

  5. step 05

    Add details to the fortress, such as windows and architectural features, using small brushstrokes.

  6. step 06

    Refine the foliage with varied greens and browns, using broken color to create texture.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and harmony.

  8. step 08

    Add final highlights and details to enhance the overall impression.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · sap green · cadmium yellow · raw sienna

Mix various shades of gray and brown by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten the colors and create highlights. Mix greens by combining blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplification of form
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating mud by overmixing colors.
  • →Ignoring the color temperature and creating a flat, uninteresting painting.
  • →Failing to capture the subtle variations in the water reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to allow for better paint adhesion and brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor