
plate no. 8455
Sallinen Tyko, 1917
Recreating this painting will help students practice capturing human likenesses with simplified forms and learn to mix a range of skin tones using a limited palette. It also offers practice in creating a sense of depth through color temperature and value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and placement of the figures and the doll.
Block in the main areas of color for the background, clothing, and skin tones.
Start defining the light and shadow areas on the faces and clothing, focusing on the planes of the forms.
Refine the details of the faces, paying attention to the eyes, nose, and mouth.
Add the details of the doll and the patterns in the background.
Adjust the values and colors to create a sense of depth and harmony.
Add final highlights and details with thicker paint.
Review the overall composition and make any necessary adjustments.
color palette
primary · titanium white · ultramarine blue · yellow ochre · burnt umber
secondary · cadmium red · viridian green
Mix skin tones by combining yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and white for the cooler tones in the shadows and clothing. Mix viridian green and burnt umber for the doll's clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor