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home·artworks·Judas
Judas by Albert Tucker

plate no. 0275

Judas

Albert Tucker, 1955

oil, boardExpressionismreligious paintingfigurecoinshandsfeetportraitreligious
some experience helpful

Recreating this painting will help students develop skills in depicting human anatomy with expressive distortion and in creating a sense of depth and texture through layering and visible brushstrokes. Students will also learn to mix and apply a limited color palette effectively.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, the box, and the coin placements.

  2. step 02

    Establish the background color with a thin wash of yellow ochre and white.

  3. step 03

    Block in the main areas of color for the figure, box, and background, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create depth and form in the figure and box, paying attention to the light and shadow.

  5. step 05

    Add details to the face, hands, and feet, refining the shapes and textures.

  6. step 06

    Paint the coins with careful attention to their highlights and shadows to create a metallic effect.

  7. step 07

    Refine the background and foreground, adding subtle variations in color and texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ivory black · payne's gray

Mix various shades of brown and flesh tones by combining burnt umber, yellow ochre, cadmium red, and titanium white. Use ivory black and payne's gray for the dark areas and shadows.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth and form.
  • →Not paying enough attention to the details of the face and hands.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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