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home·artworks·John Singer Sargent
John Singer Sargent by Andrey Allakhverdov

plate no. 9564

John Singer Sargent

Andrey Allakhverdov, 2017

oilExpressionismportraitportraitfiguresinteriorartistclothingfurniture
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabrics, and capturing the essence of a subject with expressive brushstrokes. It also provides practice in depicting complex compositions with multiple figures and objects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and their positions.

  2. step 02

    Block in the background with broad strokes of color.

  3. step 03

    Establish the basic skin tones and clothing colors for each figure.

  4. step 04

    Develop the details of the faces, focusing on accurate proportions and expressions.

  5. step 05

    Add highlights and shadows to create depth and volume in the figures and clothing.

  6. step 06

    Paint the furniture and other objects in the scene, paying attention to their textures and colors.

  7. step 07

    Refine the brushwork and add final details to complete the painting.

  8. step 08

    Varnish for protection and to enhance the colors.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · violet · sap green

Achieve skin tones by mixing burnt umber, cadmium red, yellow ochre, and titanium white. Use ultramarine blue and violet to create shadows and depth in the clothing and background. Mix white with small amounts of violet or blue for the light fabrics.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overblending the colors, resulting in a flat appearance.
  • →Failing to capture the likeness and expression of the subjects.
  • →Ignoring the importance of light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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