
plate no. 0942
Lucian Freud, 1952
Recreating this portrait will help students develop skills in color mixing for realistic skin tones and understanding subtle shifts in value to create form. It also provides practice in capturing likeness and expression.
technical profile
approach — 8 steps
Lightly sketch the basic proportions and shapes of the head and features.
Establish the overall value structure with a thin underpainting using a neutral color like burnt umber.
Begin building up the skin tones by layering thin washes of color, focusing on the shadows and highlights.
Mix a variety of skin tones using primary colors, white, and a touch of green or purple to create subtle variations.
Carefully render the details of the eyes, nose, and mouth, paying attention to the subtle shifts in value and color.
Paint the hair using a combination of dark browns and blacks, adding highlights to create texture and form.
Complete the background with a simple, muted color.
Refine the details and make any necessary adjustments to the overall composition.
color palette
primary · titanium white · yellow ochre · burnt sienna · ultramarine blue
secondary · viridian green · alizarin crimson
Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and small amounts of blue or green to create subtle variations. The green in the shirt is created by mixing blue and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.
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