apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·John Minton
John Minton by Lucian Freud

plate no. 0942

John Minton

Lucian Freud, 1952

oil, canvasExpressionismportraitportraitfiguremanfacehairclothing
experienced study

Recreating this portrait will help students develop skills in color mixing for realistic skin tones and understanding subtle shifts in value to create form. It also provides practice in capturing likeness and expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and shapes of the head and features.

  2. step 02

    Establish the overall value structure with a thin underpainting using a neutral color like burnt umber.

  3. step 03

    Begin building up the skin tones by layering thin washes of color, focusing on the shadows and highlights.

  4. step 04

    Mix a variety of skin tones using primary colors, white, and a touch of green or purple to create subtle variations.

  5. step 05

    Carefully render the details of the eyes, nose, and mouth, paying attention to the subtle shifts in value and color.

  6. step 06

    Paint the hair using a combination of dark browns and blacks, adding highlights to create texture and form.

  7. step 07

    Complete the background with a simple, muted color.

  8. step 08

    Refine the details and make any necessary adjustments to the overall composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · viridian green · alizarin crimson

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and small amounts of blue or green to create subtle variations. The green in the shirt is created by mixing blue and yellow.

techniques

  • ·layering
  • ·glazing
  • ·color mixing
  • ·portraiture
  • ·observational drawing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions and shapes of the face.
  • →Ignoring the subtle shifts in value and color, resulting in a flat, lifeless portrait.
  • →Getting lost in details too early, before establishing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·painting easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor