apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·John Jacob Anderson and Sons, John and Edward
John Jacob Anderson and Sons, John and Edward by Joshua Johnson

plate no. 6321

John Jacob Anderson and Sons, John and Edward

Joshua Johnson, 1815

oilNaïve Art (Primitivism)portraitportraitfigureschildrenclothingfatherfamily
some experience helpful

Recreating this painting will help students practice portraiture, including capturing likeness and rendering clothing details. It will also develop skills in creating a balanced composition with multiple figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their placement on the canvas, focusing on proportions.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Begin painting the faces, starting with the base skin tones and gradually adding highlights and shadows.

  4. step 04

    Paint the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Add details such as the ruffles, buttons, and accessories.

  6. step 06

    Refine the facial features and add subtle details to capture likeness.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and balanced composition.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the figures.

color palette

primary · ivory black · titanium white · ultramarine blue · burnt umber

secondary · cadmium yellow light · alizarin crimson · raw sienna

Mix white with small amounts of burnt umber, alizarin crimson, and cadmium yellow to achieve realistic skin tones. Use ultramarine blue and ivory black to create the dark blue of the clothing. Mix white with ivory black to create the grays of the background and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or flat skin tones
  • →Inaccurate color mixing
  • →Neglecting subtle details in clothing
  • →Uneven or muddy background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden