apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Job
Job by Francis Gruber

plate no. 6943

Job

Francis Gruber, 1944

oilExpressionismreligious paintingfigurebuildingchairletterurban scenegate
experienced study

Recreating this painting will help students develop skills in figure drawing, understanding anatomy, and creating a muted color palette to convey mood. It also offers practice in depicting realistic lighting and shadow on a human form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the overall composition and placement of the figure within the scene.

  3. step 03

    Block in the main color areas using thin washes of paint, focusing on the overall value structure.

  4. step 04

    Develop the figure's form by layering and blending colors to create highlights and shadows.

  5. step 05

    Add details to the face, hands, and feet, paying attention to anatomical accuracy.

  6. step 06

    Refine the background elements, including the buildings, gate, and letter, using a limited color palette.

  7. step 07

    Adjust the overall values and color harmony to create a cohesive and unified painting.

  8. step 08

    Add final details and highlights to enhance the realism and mood of the artwork.

color palette

primary · raw umber · titanium white · ivory black

secondary · viridian · yellow ochre · burnt sienna

Achieve skin tones by mixing raw umber, titanium white, and small amounts of yellow ochre and burnt sienna. Use viridian mixed with raw umber and white to create the green hues of the gate.

techniques

  • ·figure drawing
  • ·value study
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly saturated colors
  • →Ignoring the subtle value shifts
  • →Lack of anatomical understanding

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor